Monday, October 25, 2010

Blondie

Earlier this year, I finally got around to watching the Sergio Leone "Dollars" trilogy and started working on a caricature of Clint Eastwood as he appeared in the films. Here are the stages that the piece went through along with the final result.

I decided to approach this piece by starting with the silhouette. I noodled the outline until I found some shapes and angles that I thought were compelling and interesting to look at, while conveying the laid-back dexterity of the character. For me, it's a bit easier to go into the line-work stage if I'm confident with the overall flow of the piece.


Next, I went in with several stages of line drawing on top of the silhouette. During the line drawing phase, I attempted to work out any issues with the proportions of the silhouette, and tried to clearly define the features of the character. This stage was the most time consuming since I wanted to make sure everything in the piece worked and was relatively clean before moving onto the painting stages.


Before adding color to the piece, I went over the whole thing in black and white. The main difficulty was in clearly differentiating the various materials on the character (skin, denim, metal, etc).


Finally, I added some color on top of the black and white painting with overlay layers. This is similar to using washes on top of a drawing - it preserves the values established in the earlier stages. I wanted the final piece to have that desaturated look that films from the 60s and 70s have, which overlay layers are perfect for. Overall I felt that this piece was a good learning experience and I plan to do more caricatures soon.



Sunday, October 17, 2010

Head Study


Photoshop CS3, Wacom Intuos3

Thanks for stopping by! I'm going to be posting my work here as often as possible - please feel free to leave comments as I'm always trying to improve.

This study was based on a photo by the mutli-talented Hong Ly over at characterdesigns.com. I general, I try to keep my work as loose as possible while sufficiently describing the form, surface properties etc. Although I usually start in black and white and add color with overlay layers, I've recently started going in with the color directly.